Cockatrice, riding the magic donkey Brickle-Brit, is on his way to Rome. He envisions himself impersonating Charlie Chaplin in the inn where he has planned to meet his friends Blind-Boy and Columbus the Parrot. He complains about Brickle-Brit, thinks about his relationship with Blind-Boy, and ponders over different events in his life.

String marionette

Not specified

Craig Edward Gordon

Italy

Marina di Pisa

Printed

Journey

Identity

Hypocrisy

Immortality

People and history

Satirical

Comical

English

On the Road to Rome

Cockatrice

Basilic

Donkey

Monologue

Mobile Panorama

Miséria est un vieux forgeron qui passe ses journées à travailler le fer. Son seul plaisir est de prendre soin de son noyer. Un jour, São Pedro (Saint Pierre) vient lui rendre visite, demandant un fer à cheval. Comme il ne lui en reste plus, Miséria lui propose de prendre celui qui est un porte-bonheur en argent. Quelques temps plus tard, São Pedro retourne chez Miséria, disant qu’il peut demander un souhait. Miséria demande que ceux qui grimpent dans son noyer pour voler des noix finissent prisonniers de l’arbre. 
Quand la Mort arrive pour chercher Miséria, il fait un pacte avec le diable, avec lequel il gagne 20 ans. Au bout de 20 ans, la Mort revient. A ce moment, Miséria lui demande un dernier souhait : qu’elle grimpe à l’arbre pour lui chercher une noix. Ainsi, la Mort devient prisonnière du noyer. Tant qu'elle est prisonnière de l'arbre, le soleil ne se couche plus, il n’y a plus de vent, les feuilles restent immobiles ; le monde s’est arrêté. Miséria finit pas libérer la Mort à condition qu’elle lui promette la vie éternelle. La Mort accepte, mais le prévient qu’il regrettera son souhait. La pièce finit avec le vieux forgeron qui travaille le fer, se plaignant de son sort : son arbre qui était la raison de son existence vient de mourir et il reste condamné à la vie éternelle.

Rod puppet

Full-view manipulation

Adults

Portugal

Porto

Magalhães Álvaro

Electronic text

Death

Old age

Tree

Deal with the Devil

Tale

Desires

Human condition

Future punishment

Time

Philosophical tale

Tragic

Dramatic

Miséria (Teatro de Marionetas do Porto, 1991)

Portuguese

Old man

Blacksmith

Devil

Saint Peter

Voice

Apparition of a Saint

Narrator

Apparition of Death

Song

Peasant accent

Change of voice

Smoke

Flying character

Music

Miséria

Misère

On a beach by the Tyrrhenian Sea, a woman invokes the devil Serpentone. She wants to ask him to make her invincible and immortal so she can return to her village and take revenge on her compatriots who drove her out, calling her an old witch. The devil arrives, preceded by his deep, dark voice. He is ready to grant her immortality in exchange for something big, something you can see and touch. As the woman has nothing to hand, Serpentone gives her until midnight to find an offering before disappearing into the flames. The woman then prepares a potion in a big pot. Pulcinella, famished, passes by and plunges his head into the pot to eat the soup, but when he stands up again, he discovers he has a big donkey's head. Having effected the transformation, the woman gives the donkey to the devil who takes it to hell where he intends to kill it and make a drum out of its skin. But in trying to kill the animal, the devil frees Pulcinella from the spell. Pulcinella fights with the devil, kills him and escapes from hell to settle scores with the woman who turned him into a donkey. She is about to drink the wine the devil gave her to make her invincible. Realizing Pulcinella wants to kill her, she puts the blame on the audience: she turned Pulcinella into a donkey because the audience asked her to. The "cynical and ruthless" audience responds, saying the accusations are false and the woman is wicked. The audience, thus involved in the performance, finds itself acting out the scene recounted by the woman at the beginning of the show, where her compatriots insult her and drive her out. Pulcinella beats the witch to death with a broom, to much applause from the audience. The moral is that people who are different will always be hunted down without mercy.

Glove-puppet

Marotte

All audiences

Castellammare di Stabia

Otherness

Harassment

Hate

Sorcery

Malice

Magic potion

Italian

Old woman

Witch

Pulcinella

Public

Teresina

Off-stage voice

Apparition of the Devil

Metamorphosis

Fight

Enchantment

Address to the public

Micro-mouvements

Disappearance

Swazzle

Dialogue with the audience

Pulcinella e l'asino del diavolo

Pulcinella et l'âne du diable

Polichinelle’s humps get in the way of his sleep. Crispin advises him to go find the fairy Mélusine so that she removes them from him. But the Fée (Fairy) is not at home and her daughter, who is still learning magic, gives him the wrong ointment. Polichinelle changes into a camel. He will have to find white roses to break the spell. Madame Dupont-Duteil is on her way to a marriage with a bouquet of white roses. She faints at the sight of the camel eating the flowers and transforming back into Polichinelle. Mère Gigogne, Polichinelle’s mother, gives birth to several children. She helps Madame Dupont-Duteil regain consciousness and has her believe that Polichinelle wants to marry her – news at which she runs away. Vexed, Polichinelle summons the Devil. He traps him in a sewing box and the Devil teaches him how to get rid of his humps—he must find a Parisian Marionnettiste (a Puppeteer). The latter removes Polichinelle’s humps. Having become “like everyone else”, Polichinelle lost his immortality. Death comes to take him away, but He has forgotten His scythe. While Death is looking for it, Polichinelle asks the Parisian Marionnettiste to glue his humps back on him. Death comes back with His scythe and fights with Polichinelle, who prevails. Crispin sets the Devil free. As a way to thank him, Death grants him a wish and Crispin asks to be loved by Madame Dupont-Duteil. He makes a deal with the Devil and Madame Dupont-Duteil invites Crispin over to her house. The Devil laments not having taken Polichinelle’s life but comforts himself with the thought that he has won Crispin who, having left with Madame Dupont-Duteil, is already “in Hell” in a way.