Don Juan witnesses Donna Amarilles' declaration of love to Don Philippo and decides to get to the meeting place before his rival. Through the intervention of his servant Hans Wurst, he asks his father Don Alfaro for ten thousand thalers. The latter has two coins given to them, so that they can both buy ropes to hang themselves. Don Juan beats his father and robs him. He tries to abduct Donna Amarilles but he is caught by her father, Don Pedro, and kills him. The boat Don Juan and Hans Wurst flee on sinks but they both survive and find shelter with a hermit in the woods. Don Juan is disguised – he is wearing the hermit’s trousers – and kills Don Philippo who was chasing him. He then tries to rape a shepherdess and a princess he met in the woods. He kills the princess because she was fighting him. Don Juan and Hans Wurst finally reach the cemetery where Don Pedro’s equestrian statue stands, and they invite him over for dinner. The statue agrees, but in the end, Don Juan will go to it for a midnight feast in the cemetery. Don Pedro urges him to do penance, but he refuses and is damned. He then repents for his sins. An angel offers him forgiveness for his sins. He does not think he is worthy of it and is carried away by Furies from the Underworld. As for Hans Wurst, he drives out two devils who offered him a similar dinner.

Not specified

France

Strasbourg

Printed

Seducer

Unwelcome seducer

Assassination

Servant

Valet

Murder

Serial murder

Phantom

Revenant

Religion

Morality

Abduction

Kidnapping

Fish

Leviathan

Jonas

Forest

Cemetery

Didactic

German

Straßburger Don Juan-Puppenspiel

Don Alfaro

Don Juan

Don Pietro

Donna Marillis

Don Filippo

Sheperherdess

Hermit

Hanswurst

Angel

Ghost

Devil

Apparition

Flying machine

Final intervention of the devil

Disguise

Word for another

Dialogue between characters who do not see each other

Murder on stage

Bawdy equivocation

Light effects

Don Juan oder der Steinerne Gast

Don Juan or the Stone Guest

In a prison, two exceptional prisoners, Jesus and Pinocchio, talk to each other from the communicating wall of their prison cells, without seeing each other. They talk about the gymnastics they do to distract themselves, about homecountry and homesickness, about their fiancées, everything they miss outside of these four walls. Pinocchio does not believe in the miracles Jesus tells him, but when questioned, he claims to believe in them and his nose gets longer. In their dialogue, they discover they have a lot in common: their condition as persecuted by justice or the fact that they can both walk on water. In the end, the guards come for Jesus; while he is happy and thinks that the men have realised that they have made a mistake in imprisoning him, Pinocchio has a bad feeling and, in vain, shouts at him from his cell not to follow them.

Glove-puppet

Adults

Brunello Gigio

Italy

Mogliano Veneto

Justice

Imprisonment

Miracle

Innocence

Nose lengthening

Tragic

Comical

Italian

Pinocchio

Heureux ceux qui sont persécutés pour la justice, car le royaume des cieux est à eux.

Jesus

Conversation

Confinement

Beati i perseguitati a causa della giustizia perché di essi è il regno dei cieli

Blessed are those who are persecuted for righteousness' sake, for theirs is the kingdom of heaven

Monsieur Legris lives alone in a sad house, where everything is either grey, black or white. That is, until a strange yellow parcel is delivered to his house, from which Confetti comes out. This tiny and colourful character hides immense sorrow inside him. Slowly, despite being complete opposites, the two characters grow closer – each learning how to live again thanks the other.